Thursday, February 6, 2014

More notes on the second edition

The second edition integrates the two halves of Hearing the Movies more closely while maintaining a design that permits flexibility in emphasis.

Part 1 has been updated and streamlined a bit but its focus on careful listening/viewing and analysis of the soundtrack is intact. The scene analyses and style generalizations about music usage in Part 2 have been moved into the current Part 3 (history), which has been divided into two Parts, the first covering early cinema through the end of the studio era, the second covering the period since. Another way to put it is that Part 2 is "pre-Star Wars" and Part 3 is "Star Wars and later." Still another way is "pre-Dolby" and "Dolby to digital."

Not all the material of Part 2 has gone into the second edition, but everything we've removed will either be posted to this blog or placed on the HtM website and thus will remain available for instructors' use.

Among new features, we've added time lines for reference at the head of all the historical chapters, but I am particularly excited about our revamped and expanded writing "interludes," each of which is now a full-fledged chapter embedded in Part 2 or 3, and about a set of close readings that continue to develop the strong audioviewing skills from Part 1 but in the context of the historical chapters. These "essays" within the chapters of Parts 2 & 3 are augmented by a new series of sidebars that augment the historical narrative with historical source material, in part keyed to Mervyn Cooke's The Hollywood Film Music Reader (Oxford).